It’s about doing the finest job we can do for the artist.” Our process is not about saving a couple of dollars. Our customers depend on a high degree of resolution, a fine casting. “They work a lot with texture, and their tool marks are very important to them. The sculptors made the original figure in clay. “It made a perfect reproduction of the Favillis’ surface texture,” Decker said. Primarily copper, it also includes silicon metal and manganese. “The Cameraman” was the first large piece the American Fine Arts Foundry cast in that specific bronze formulation. I don’t believe in holding something like that as a trade secret. “We developed an art-casting bronze which he sells. “He agreed to make us a metal that no other company was willing to put the time and energy into because, even though we were a small company, we insisted on quality. Schumann & Co., ingot manufacturers for the casting industry in Bedford, Ohio, “worked with me very conscientiously, because he said that Elliot and I were his most demanding customers-not necessarily the biggest, but the most demanding, gave him the worst time,” Decker said. Decker accepted no less than the best bronze his supplier could make.ĭavid Schumann, one of the principals of I. Installed in December, it is Burbank’s first privately funded public artwork in the city’s Art in Public Places program. Shamrock president Roy Disney commissioned the work. stands “The Cameraman,” a striking, larger-than-life bronze homage to an old-time filmmaker, by the father-and-son team of Aldo and Andrea Favilli. It cast several of the bronze sculptures at the Academy of Television Arts and Sciences in North Hollywood, including Jack Benny, Lucille Ball and Johnny Carson by sculptor Ernie Shelton, and Jackie Gleason by Richard Stiles.jĪt the corner of Olive Avenue and Lakeside Drive in Burbank, in front of Shamrock Holdings Co. One may be familiar with the foundry’s work without knowing it.
That’s what makes foundry art casting so exciting-it’s a constant search for perfection.” We’re trying for an excellence in our casting. With 400 artist clients internationally who create unique works or at most very limited editions, Decker added: “We’ve never wanted a production shop, even though that’s been financially tempting over the years. It’s the materials we use, the attentiveness to the materials, the constant monitoring, and we don’t recirculate our materials.” Some of it I can’t openly discuss with you because it’s privy, but we’re not that much different than any other art foundry in general approach. at (562) 928-1387 or email for a prompt quote.“So I worked with industry, and by working with industry I’ve been able to use a lot of their technology in an art foundry. If your company needs Ductile Iron Castings, call Pacific Alloy Casting Co.
The invention of DI and its superior strength was the perfect balance between a costly steel casting and low-strength gray iron for the crankshaft. The high stress involved in this application did not permit the use of gray iron. Formerly the crankshaft was made from a costly steel casting. DI has also replaced steel castings in some applications providing a lower-cost alternative.Īn example is the DI crankshaft currently used in all but ultra-high performance automotive engines. These improvements to the mechanical properties allow DI to be used in a wider range of casting applications than standard gray iron. Ductile Iron Castings – Pacific Alloy Casting, Los Angeles, California Specification for Ductile Iron Castings – ASTM A-536ĭuctile iron is cast iron whose graphite is in the form of spherical nodules making it more flexible and elastic than other cast irons.
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